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53rd Journalism Awards Gala (part 1)

18.7.2011, 3:52
53rd Journalism Awards Gala (part 1) Author: EDP
Visited: 41154
Duration: 01:07:23
A. JOURNALISTS OF THE YEAR A1. PRINT (Over 50,000 circulations) Patrick Range McDonald, LA Weekly Comments: "Range" is an appropriate middle name. What incredibly detailed reporting on a variety of complicated topics. What an ability to make us feel as if we know the players. What skill in explaining messy situations. The very essence of solid journalism. 2nd place: David Evans, Bloomberg Markets, "Duping the Families of Fallen Soldiers" HM: Mariel Garza, Los Angeles Daily News Editorials A2. PRINT (Under 50,000 circulation) Radley Balko, Reason Magazine Comment: ―Radley Balko is one of those throw-back journalists that understands the power of groundbreaking reporting and how to make a significant impact through his work. Time and time again, his stories cause readers to stop, think, and most significantly, take action. Congratulations!‖ 2nd Place: Dan Evans, Glendale News-Press HM: Ryan Vaillancourt, Los Angeles Downtown News A3. TELEVISION JOURNALIST Ana Garcia and Fred Mamoun, KNBC-TV Garcia and Mamoun shoot, write and edit compelling stories. One of their strengths as a team is the obvious respect for their subjects, and the ability through contacts in the community to land exclusive interviews and opportunities. They are strong storytellers and the pieces move! 2nd Place: Antonio Valverde, Univision Valverde has a wide range as a journalist. He is able to work with various segments of the community to tell compelling stories. He has political acumen and can accurately and fairly tell stories, while also reaching out to the disenfranchised to share their stories of life in L.A. A4. RADIO JOURNALIST Susan Valot, KPCC Comments: Well-rounded reports with authoritative, informed tone. Great use of sound. Valot‘s work is some of the best we‘ve heard. 2nd Place: Brian Watt: KPCC HM: Kitty Felde: KPCC A5. ONLINE JOURNALIST Daniel Heimpel, FosteringMediaConnections.org 2nd Place: Chris Hedges, Truthdig.com HM: Robert Scheer, Truthdig.com A6. SPORTS JOURNALIST N/A A7. ENTERTAINMENT JOURNALIST Kim Masters, KCRW-FM Radio Comments: Nice voice in both senses of the word, along with substantive content. Covering a story about outed CIA agent Valerie Plame, she tracked down Plame to comment on her portrayal, rather than just talking to the actress. She also gave a lot of information on entertainment agents that broadened the picture the public was likely to have of that occupation. 2nd Place: Tara Wallis-Finestone, NBC LA HM: George Pennacchio, KABC-TV A8. PHOTO JOURNALIST Rick Loomis, Los Angeles Times A9. DESIGNER N/A B. DAILY/WEEKLY NEWSPAPERS Over 50,000 circulations – including news bureaus and correspondents B1. HARD NEWS Tracy Manzer and Sarah Peters, Long Beach Press-Telegram, "Heroes foil bank heist" Comments: The writing was appropriately-paced for the category and the story content. I enjoyed the writers' use of sensory details and factual information, presented with a slightly humorous/sarcastic tone that made this piece fun to read. B2. NEWS FEATURE Patrick Range McDonald, LA Weekly, ―The Parent Trigger‖. Comments: Documents a groundswell of democracy while explaining a new law through a real-world prism. Powerful. Incredibly well-sourced and informative, yet provides a human touch. The story of poor minorities trying to make a change documented how the masses can move the establishment. Inspiring to others, this story shows what newspaper do like no other. Bravo. 2nd Place: Thomas Curven, Los Angeles Times, ―Walking Away from Grief‖ HM: Kristopher Hanson, Long Beach Press-Telegram, ―Dangers Close to Home‖ B3. PERSONALITY PROFILE Steve Friess, LA Weekly, ―A Tragic Love Story‖ 2nd Place: Charlotte Hsu, LA Weekly, ―Forever Scared — The Story of Herman Atkins‖ HM: Karen Robes Meeks, Long Beach Press-Telegram, ―Murchison: A Portrait of a Long Beach Lobbyist‖ B4. INVESTIGATIVE/SERIES David Evans, Bloomberg News, "Fallen Soldiers' Families Denied Cash Payout as Insurers Profit" Comments: These articles are the soul of great investigative journalism, uncovering a shocking system whereby the families of slain soldiers are tricked about benefits, and where shameless insurance companies reap big profits at the expense of those families. Best of all, it led to immediate Congressional investigations and action. 2nd place: Beth Barrett, LA Weekly, "The Dance of the Lemons" HM: Monica Alonzo and Simone Wilson, LA Weekly, "Culture of Cruelty" B5. BUSINESS Alana Semuels, Los Angeles Times, "California unfriendly to business? Figures say no" Comments: This is an authoritative and well-documented piece that refutes the common wisdom of California's tax structure being unfriendly to business. 2nd place: Beth Barrett, LA Weekly, "Barry Minkow 2.0" HM: Donna Howell, Investor's Business Daily,

MANI NASRY ART INSTALLATIONS

3.11.2010, 22:06
MANI NASRY ART INSTALLATIONS Author: Mani Nasry
Visited: 188228
Duration: 00:08:37
Art intervention is an interaction with a previously existing artwork, audience or venue/space. It has the auspice of conceptual art and is commonly a form of performance art. It is associated with the Viennese Actionists, the Dada movement and Neo-Dadaists. It has also been made much use of by the Stuckists to affect perceptions of other artwork which they oppose, and as a protest against an existing intervention. Intervention can also refer to art which enters a situation outside the art world in an attempt to change the existing conditions there. For example, intervention art may attempt to change economic or political situations, or may attempt to make people aware of a condition that they previously had no knowledge of. Since these goals mean that intervention art necessarily addresses and engages with the public, some artists call their work "public interventions". Although intervention by its very nature carries an implication of subversion, it is now accepted as a legitimate form of art and is often carried out with the endorsement of those in positions of authority over the artwork, audience or venue/space to be intervened in. However, unendorsed (i.e. illicit) interventions are common and lead to debate as to the distinction between art and vandalism.[1] By definition it is a challenge, or at the very least a comment, related to the earlier work or the theme of that work, or to the expectations of a particular audience, and more likely to fulfil that function to its full potential when it is unilateral, although in these instances, it is almost certain that it will be viewed by authorities as unwelcome, if not vandalism, and not art. Authorised There are many art interventions which are carried out in contexts where relevant invitation and approval has been given. [edit]Detroit MONA goes kaBOOM!, 2002 The extreme to which an authorised intervention can go and yet still meet with institutional approval was shown in 2002, when the Detroit Museum of New Art staged a show kaBoom!, with the announcement, "Over the course of the exhibition, museum visitors will be invited to smash, drop, throw and slash artworks..."[2] The show was scheduled for two months, but by the end of the first night had been totally destroyed by visitors: "They even destroyed the pedestals and wall shelves," one museum staffer shrugged in disbelief. Fires were set in isolated galleries and a wrecking ball for one display had been removed from its chain and used instead as a bowling ball, taking out an installation as well as the corner of one wall. "In a twisted way, it was a wild success," MONA’s director Jef Bourgeau says the morning after, on a surprisingly bright note as he wades through the carnage and debris.[3] This follows the precedent of the Dadaists. At one of their shows, visitors were invited to smash the exhibits with an axe. [edit]Hanging Old Masters backwards, 2004 A more usual authorised art intervention in an institution is done with great care to make sure that no harm comes to the existing collection. In 2004, the Old Town House in Cape Town, South Africa, hung its Michaelis Collection of 17th century Dutch Old Master paintings facing the wall. The curator Andrew Lamprecht said this exhibition, titled Flip, "would force gallery goers to reconsider their preconceptions about the art and its legacy." Knowledge of intent is integral to such a process, as it would be perceived differently if it were announced in a conservation context, rather than as an art piece. However, in this instance there was some ambiguity about the purpose of the exercise as Lamprecht, although stating, "I'm asking questions about the history", also added a more standard "educative" comment, "the reverse of the paintings revealed a wealth of detail not normally on view to the public, ranging from old attempts to preserve the canvas to notes from different collectors over the years",[4] thus lessening the confrontational impact of his actions. An equestrian statue of Lord Napier wrapped in red tape by Eleonora Aguiari in 2004. [edit]Lord Napier in red tape, 2004 An authorised art intervention which required considerable effort to gain the requisite permission was the wrapping in red duct tape of the equestrian statue of Lord Napier of Magdala, situated on Queens Gate in West London. This was done by Eleonora Aguiari, a Royal College of Art (RCA) student for her final show. When questioned as to whether she had considered a clandestine act, she replied, "No, not my style, I like to challenge the institutions." In order to do this she needed clearance letters from the RCA Rector, a professor, the Victoria and Albert Museum conservation department and the RCA conservation department, bronze tests, a scaffolding license, indemnity insurance, and permission from English Heritage (who own the statue), the City of Westminster, two Boroughs (Chelsea and Kensington, as their boundary bisects the length of the horse) and the present Lord Napi

GESTALT - AWARENESS PART כותרות בעברית. גשטאלט - מודעות חלק 2 .HQ

24.8.2011, 9:46
GESTALT - AWARENESS PART כותרות בעברית. גשטאלט - מודעות חלק 2 .HQ Author: franklyn wepner
Visited: 17935
Duration: 00:25:52
HQ. GESTALT - AWARENESS PART גשטאלט - מודעות חלק 2 HEBREW SUBTITLES ADDED כותרים בעברית gestalt therapy work on awareness with actress bel baca. second part of "unguided awareness work", in which i give bel feedback for the work she did in the first part. part 3 begins the work on "guided awareness", where i closely supervise her work on awareness, and give instantaneous feedback as she goes along. TO VIEW OR DOWNLOAD ALL OF MY VIDEOS, PLUS 1500 PAGES OF MY EXPLANATORY ESSAYS (ALL AT NO CHARGE) PLEASE VISIT MY WEBSITE: franklynwepner.com. ALSO PLEASE NOTE MY NEW EMAIL ADDRESS, IF YOU WOULD LIKE TO SHARE WITH ME ANY COMMENTS ABOUT MY WORK: fwep@earthlink.net. IN THE LISTING OF VIDEOS THE LETTERS (HQ) REFER TO A HIGHER QUALITY VERSION OF THE VIDEO, WHICH IS AVAILABLE TO YOU IF YOUR COMPUTER CAN HANDLE IT. BY FRANKLYN WEPNER SEPTEMBER 1, 2006 HOW I WORK: GESTALT DREAMWORK AS THEATER AND PROPHECY GESTALT DREAM WORK AS PREPARATION FOR PERFORMING Since 1975 I have been using Gestalt work on awareness, dreams and personal relationships as a way to train and direct performers. The basic principle is simple. I use the Gestalt work to peel the onion of layer after layer of social cliches, ego games and unfinished personal business, and then I do the reverse process reconstituting the onion in the form of characters or other artist structures. The existential message of the dream becomes the superobjective or action of the tragedy, and then I build up the way the performer handles the characters and the plot around that. My usual procedure is to begin the training with three Gestalt sessions, one on one. The first session, two hours long, deals with the three zones of awareness. During the first hour I simply let him relate what he aware of, since I want to know how he operates before I start meddling with his life. This is important since overall during the Gestalt sessions we are peeling the onion of cliches and games to get to authentic action, and later we will need all of those layers to rebuild the onion as characters involved in the unfolding action of a drama. We need his cliche and game layers for the beginning of the action in Act One as much as we need his authentic action at the end of the dramatic action for Acts Four and Five of a tragic drama. During the second hour of the first Gestalt session on awareness I attempt to guide him towards a balance of the zones of awareness: outer zone awareness of the environment, inner zone awareness of his body, and fantasy zone awareness of his daydreams. The second and third Gestalt sessions are each three hours long, and each is a typical Gestalt dreamwork session as presented by Fritz Perls in Gestalt Therapy Verbatim. The performer tells the dream in the here and now, identifies with (play acts) several of the main images of the dream in dialogues with each other, and experiences the rhythm of contact and withdrawal. That is to say, after each major dialogue of polarized sides of himself (the contact part) he is instructed to close his eyes, enter his body awareness and daydream (the withdrawal phase of the rhythm). Since my goal is theater as well as healing, whenever possible during the Gestalt dreamwork I encourage lots of expression using sound and movements. I work with a palette of about 200 different types of recorded musical excerpts, and whenever appropriate I ask him if that image or emotional state were part of a movie what sort of music might be the sound track. Then I find something close to that in my palette of musical colors and ask him to express the mood using the music along with his vocalizing and expressive movements. While he is doing the entire session I spend most of my time jotting down near verbatim notes and making stick figures of his poses and movements, since later in the work I will feed all this back to him and encourage him to explore using it as creative material for acting, dance or whatever his medium is. Taping the session is less useful, since then I would need to spend too much time replaying the tapes. Taking notes live forces me to sort out the wheat from the chaff very efficiently, even at the cost of not observing or notating every detail. WORKING OUT FROM YOUR CENTERS After the three introductory one on one Gestalt sessions, session number four is for feedback and discussion of the results. I show him in my notes and diagrams all of the stages of competed and uncompleted actions, and together we search for characters in the theater literature that have similar patterns of action. Is he a Hamlet type, or an Oedipus type, for example? In contrast to the usual practice in acting classes, his first acting assignment probably will be a monologue from a serious tragedy, since I want him to begin with a dramatic action with which he can identify totally. In this process he is using

GESTALT WORK ON AWARENESS WITH BEL part 4 (HQ)

2.1.2011, 1:29
GESTALT WORK ON AWARENESS WITH BEL part 4 (HQ) Author: franklyn wepner
Visited: 16446
Duration: 00:26:48
part 4 (last part) of a two hour gestalt session on awareness with actress bel baca. the focus here is "the rhythm of contact and withdrawal", alternating between contact with the environment and withdrawal into the void of "not knowing" to discover what fantasies and new ideas are waiting to emerge into awareness there. at the end of the session i encourage bel to recall the overall path she has traversed during the entire two hour session. i ask her to open herself to discovering any big picture, pattern, "gestalt" (means "pattern" in german) that emerged during the entire process. if we see the gestalt therapy pilgrim as a sort of god of a world he/she is creating moment by moment, then this last step is like the sabbath at the end of the seven days on which the "lord" rests and integrates the initial idea with all that unfolded during the other six days. this is aristotle's theory of action, that the "actual" is prior to the "potential", i.e., the overall encompassing action or gestalt is somehow logically more present than the individual moments of the action that unfold along the way. but this is only the case if the action stays in the here and now, the "messianic now", in which the knower, the known and the knowing all partake of a oneness. in this sense "god" is this encompassing oneness, the synthesis capable of integrating the myriad antitheses of his/her world. bel has shown herself willing and able to subordinate her ego to this here and now awareness process, and in this sense her humility is comparable to that of moses, which gave moses privileged access to god's torah, god's living word. bel thus joined the choosing/chosen people, those choosing to allow the divine soul to subjugate - for a while - the animal soul which usually drives us. from another perspective, if we regard each of the here and now moments along the way as our access to another face, countenance, point of view or "name" of god, then this final moment of an extended gestalt session is the moment of redemption at which god and names, his name, his nam(ing) are one. during this final moment of existential action the searcher allows the existential message of the awareness work or the dreamwork to emerge and swallow up all the fragmentary kaleidoscopic array of here and now moments that contributed their energy to this "strong gestalt". this also is leibniz' theory of an encompassing "monadology" with integrates all the "monads". if each here and now gestalt is a world, a monad, a living organism, then the encompassing gestalt, monadology or superorganism is a world of worlds, the body of god. man is such a superorganism, with a mind/soul capable of integrating the fuctioning of every organ, cell, cellule, molecule and atom. maimonides and then st. thomas borrowed this organic theory of action from aristotle and made it one basis of our contemporary judeo-christian worldview. maimonides, furthermore, used this theory as the starting point for his theory of prophecy. since this theory also is the basis of the stanislavski/brecht dialectical tradition of performer training, it is in this sense that a well trained performer is serving a prophetic function for an audience. such a performer needs to know enough about this way of working to be able consciously to harness it as the motor of his creative work. this puts the horse before the cart. of course, this is the exact opposite of how most performers work, with their insatiable ego hunger for fame and fortune. for more on this topic see the essays "prophecy here and now" and "rashi and b'reishit" at my website, "franklynwepner.com". TO VIEW OR DOWNLOAD ALL OF MY VIDEOS, PLUS 1500 PAGES OF MY EXPLANATORY ESSAYS (ALL AT NO CHARGE) PLEASE VISIT MY WEBSITE: franklynwepner.com. ALSO PLEASE NOTE MY NEW EMAIL ADDRESS, IF YOU WOULD LIKE TO SHARE WITH ME ANY COMMENTS ABOUT MY WORK: franklynwepner@gmail.com. IN THE LISTING OF VIDEOS THE LETTERS (HQ) REFER TO A HIGHER QUALITY VERSION OF THE VIDEO, WHICH IS AVAILABLE TO YOU IF YOUR COMPUTER CAN HANDLE IT. BY FRANKLYN WEPNER SEPTEMBER 1, 2006 HOW I WORK: GESTALT DREAMWORK AS THEATER AND PROPHECY GESTALT DREAM WORK AS PREPARATION FOR PERFORMING Since 1975 I have been using Gestalt work on awareness, dreams and personal relationships as a way to train and direct performers. The basic principle is simple. I use the Gestalt work to peel the onion of layer after layer of social cliches, ego games and unfinished personal business, and then I do the reverse process reconstituting the onion in the form of characters or other artist structures. The existential message of the dream becomes the superobjective or action of the tragedy, and then I build up the way the performer handles the characters and the plot around that. My usual procedure is to begin the training with three Gestalt sessions, one on one. The first session, two hours lo

GESTALT WORK ON AWARENESS (HQ) - PART גשטאלט - מודעות - חלק 1

13.8.2011, 14:42
GESTALT WORK ON AWARENESS (HQ) - PART גשטאלט - מודעות - חלק 1 Author: franklyn wepner
Visited: 27071
Duration: 00:16:19
HQ. gestalt work on awareness, part 1. hebrew subtitles added. BY FRANKLYN WEPNER SEPTEMBER 1, 2006 HOW I WORK: GESTALT DREAMWORK AS THEATER AND PROPHECY GESTALT DREAM WORK AS PREPARATION FOR PERFORMING Since 1975 I have been using Gestalt work on awareness, dreams and personal relationships as a way to train and direct performers. The basic principle is simple. I use the Gestalt work to peel the onion of layer after layer of social cliches, ego games and unfinished personal business, and then I do the reverse process reconstituting the onion in the form of characters or other artist structures. The existential message of the dream becomes the superobjective or action of the tragedy, and then I build up the way the performer handles the characters and the plot around that. My usual procedure is to begin the training with three Gestalt sessions, one on one. The first session, two hours long, deals with the three zones of awareness. During the first hour I simply let him relate what he aware of, since I want to know how he operates before I start meddling with his life. This is important since overall during the Gestalt sessions we are peeling the onion of cliches and games to get to authentic action, and later we will need all of those layers to rebuild the onion as characters involved in the unfolding action of a drama. We need his cliche and game layers for the beginning of the action in Act One as much as we need his authentic action at the end of the dramatic action for Acts Four and Five of a tragic drama. During the second hour of the first Gestalt session on awareness I attempt to guide him towards a balance of the zones of awareness: outer zone awareness of the environment, inner zone awareness of his body, and fantasy zone awareness of his daydreams. The second and third Gestalt sessions are each three hours long, and each is a typical Gestalt dreamwork session as presented by Fritz Perls in Gestalt Therapy Verbatim. The performer tells the dream in the here and now, identifies with (play acts) several of the main images of the dream in dialogues with each other, and experiences the rhythm of contact and withdrawal. That is to say, after each major dialogue of polarized sides of himself (the contact part) he is instructed to close his eyes, enter his body awareness and daydream (the withdrawal phase of the rhythm). Since my goal is theater as well as healing, whenever possible during the Gestalt dreamwork I encourage lots of expression using sound and movements. I work with a palette of about 200 different types of recorded musical excerpts, and whenever appropriate I ask him if that image or emotional state were part of a movie what sort of music might be the sound track. Then I find something close to that in my palette of musical colors and ask him to express the mood using the music along with his vocalizing and expressive movements. While he is doing the entire session I spend most of my time jotting down near verbatim notes and making stick figures of his poses and movements, since later in the work I will feed all this back to him and encourage him to explore using it as creative material for acting, dance or whatever his medium is. Taping the session is less useful, since then I would need to spend too much time replaying the tapes. Taking notes live forces me to sort out the wheat from the chaff very efficiently, even at the cost of not observing or notating every detail. WORKING OUT FROM YOUR CENTERS After the three introductory one on one Gestalt sessions, session number four is for feedback and discussion of the results. I show him in my notes and diagrams all of the stages of competed and uncompleted actions, and together we search for characters in the theater literature that have similar patterns of action. Is he a Hamlet type, or an Oedipus type, for example? In contrast to the usual practice in acting classes, his first acting assignment probably will be a monologue from a serious tragedy, since I want him to begin with a dramatic action with which he can identify totally. In this process he is using his major Gestalt moments as what Michael Chekhov in his book "To The Actor" labels "psychological gestures". Perls calls them the "essences" of a patient's personality, or we can say he is working from his "centers", stretching those sounds, moves and psychological motivations in as many creative directions as he can. I monitor closely to be sure he is not faking it, the way most actors end up doing since they do not have the centers to begin with. Before the performer begins working with others doing improvs and scenework, there is an important transitional stage in the work in which I help him get comfortable using his very personal Gestalt material freely as creative material. He needs to shift from seeing himself as a patient to enjoying the role of an artist of the

Musicmatters Video Yearmix 2011

30.12.2011, 20:30
Musicmatters Video Yearmix 2011 Author: Musicmattersdk
Visited: 99088
Duration: 03:25:26
001. Jessie J Do It Like A Dude 002. Ace Da hood Hustle Hard (Remix) 003. Dj Khaled Feat VA My Hood (Remix) 004. Kelly Rowland Feat. Lil Wayne Motivation 005. Kanye West All Of The Lights 006. Lupe Fiasco The Show Goes On 007. Nelly Feat. Kelly Rowland Gone 008. Chris Brown Feat. Lil Wayne & Busta Rhymes Look At Me Now 009. U$O Skru Op! 010. Katy Perry Feat Kanye West E.T. 011. Kidd Ik Lavet Penge 012. Lil Wayne How To Love 013. Lil Wayne Feat. Rick Ross John 014. Dr. Dre Feat Eminem & Skylar Grey I Need A Doctor 015. Big Sean Feat. Nicki Minaj Dance (A$$) (Remix) 016. Rasmus Seebach I Mine Øjne 017. Nik & jay Udødelige 018. Jeremih Feat 50 Cent Down On me 019. Rihanna Cheers (Drinkt To That) 020. Wiz Khalifa Black & Yellow 021. Nik & Jay Gi' Mig Dine Tanker (Part 1+2) 022. Young FokMedMigNU 023. Lil Wayne & Cory Gunz 6 Foot 7 Foot 024. Burhan G Jeg 'I Live 2011 025. Diddy Dirty Money Coming Home 026. Jennifer Lopez Feat. Lil Wayne I'm Into You 027. Xander Det Burde Ikk Være Sådan Her 028. Rihanna California King Bed 029. Jimilian Finde Dit Smil Igen 030. Rick Ross Feat. Drake & Chrisette Michele Aston Martin Music 031. Bad Meets Evil Fast Lane 032. L.O.C. Feat. U$O Momentet (Malthe Madsen Remix) 033. Jessie J Feat. B.o.B Price Tag 034. Ankerstjerne Feat. Burhan G Tag Hvad Du Vil 035. Bruno Mars Lazy Song 036. Medina Kl.10 037. Bad Meets Evil Feat. Bruno Mars Lighters 038. Owl City Alligator Sky 039. P!nk F**king Perfect 040. Wafande Feat. Xander En Anden 041. Ankerstjerne Nattog 042. Sean Paul Feat. Alexis Jordan Got 2 Luv U 043. Jason Derulo It Girl 044. Nik & jay Mod Solnedgangen 045. Kanye West Feat. Nicki Minaj Monster 046. Swizz Beatz Feat. Eve Everyday 047. Black Eyed Peas Just can't Get Enough 048. Wiz Khalifa Roll Up 049. Jay Z & Kanye West Feat. Otis Redding Otis 050. Chipmunk Feat. Chris Brown Champion 051. Nicole Scherzinger Feat. 50 Cent Right There 052. Dr. Dre Feat Snoop Dogg & Akon Kush 053. Keyshia Cole Feat. Nicki Minaj I Ain't Thru' 054. Kato Feat. Ida Corr, Camille Jones & Johnson Sjus 055. Mary J. Blige Feat Diddy Someone To Love Me (Naked) 056. Beyonce Move Your Body 057. The Lonely Island Feat. Michael Bolton Jack Sparrow 058. Nicki Minaj Feat. Drake Moment 4 Life 059. Beyonce Best Thing I Never Had 060. Ne-Yo One In a Million 061. Avril Lavigne Smile 062. Wafande Feat. Kaka Gi' Mig Et Smil 063. Diddy Dirty Money I Hate That You love 064. Britney Spears Criminal 065. Stephanie Partyrock (Gir en F*uck) 066. Aqua Playmate To Jesus 067. Michael Jackson Hollywood 068. Aura Dione Geronimo 069. Chris Brown & Justin Bieber Right Next To U 070. Ke$ha Blow 071. Jennifer Lopez Papi 072. Nicki Minaj Feat. Rihanna Fly 073. Electric Lady Lab Wondering 074. Robyn Indestructible 075. Jason Derulo Don't Wanna Go Home 076. Studio Killers Ode To The Bouncer 077. Stilettos Click Click Click 078. Lady Gaga Born This Way 079. Robyn Call Your Girlfriend 080. Medina For Altid 081. Nicole Scherzinger Poison 082. DEV In The Dark 083. Coldplay Every Teardrop Is A Waterfall (Swedish House Mafia Remix) 084. Avicii Feat. Leona Lewis Collide 085. Usher More 086. Outlandish TriumF 087. Fedde Le Grand So Much Love 088. Clemens Byen Sover 089. Bingo Players Cry (Just A Little) 090. Sisse Marie Dirty Hands 091. Avicii Fade Into Darkness 092. Katy Perry Last Friday Night (T.G.I.F.) 093. NERVO Feat. Ollie James Irresistible 094. Enrique Feat. Ludacris Tonight i'm Fucking You 095. Alexis Jordan Good Girl 096. David Guetta Feat. Taio Cruz & Ludacris Little Bad Girl 097. Example Changed The Way You Kiss Me 098. Alexandra Stan Mr. Saxobeat 099. Cedric Gervais Feat. May Love Is The Answer 100. Ida Corr Musen Efter Katten 101. Swedish house Mafia Save The World 102. Beyonce Run The World (Girls) 103. Andreea Balan Trippin' 104. Nicki Minaj Superbass 105. Kelly Rowland Feat. The Wav's Down For Whatever 106. Adele Rolling In The Deep (Benny Royale Re-Fix) 107. Rune RK Feat. Majid Animal 108. Taio Cruz Feat. Flo Rida Hangover 109. Dj's From Mars Feat. Fragma Insane (In The Brain) 110. L.O.C. Langt Ude (Mike Hawkins Remix) 111. Roger Sanchez Feat. Mobin Master & MC Flipside Worldwide 112. Saturdays All Fired Up 113. Ferry Corsten C

Strana: 1/ 5 Celkem nalezeno 60 záznamů.

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    17.11.2013, 18:39
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    REMENBRANZAS DE GUERRA( WAR AND REMENBRANCE) cap. 6 d segunda parte

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  • The Master s Sun Cap 9 parte 2

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    The Master s Sun Cap 9 parte 2 Author: Gabriela Torres
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    The Heirs Capitulo 4, parte 2 de 2 sub español.

    Strana: 1/ 6271 Celkem nalezeno 87787 záznamů.

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    Хью Лори в передаче Джеймса Липтона "Inside the Actor's Studio" (31.07.2006) Часть 2: House M.D.
    Transliterace:

    " Visited: 7251 Duration: 00:21:39 KHju Lori v peredache Dzhejjmsa Liptona "Inside the Actor's Studio" (31.07.2006) CHast 2: House M.D."

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    30.1.2010, 18:44
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    Dance in the Vampire Bund Cap.4 Part (1/3) [Raw]

    30.1.2010, 18:40
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    Germany's Next Topmodel Staffel 7 Folge 4 Part 2

    16.3.2012, 20:38
    Germany's Next Topmodel Staffel 7 Folge 4 Part 2 Visited: 2792
    Duration: 00:13:15
    gntm s07e04 part 2

    DSDS 2013 in Germany (RTL) - 20.04.2013 - Episode 20. Часть 4. Part 2 (LiveShow) (with russian subs) "DSDS 2013 in Germany (RTL) - 20.04.2013 - Episode 20. CHast 4. Part 2 (LiveShow) (with russian subs)"

    9.7.2014, 3:03
    DSDS 2013 in Germany (RTL) - 20.04.2013 - Episode 20. Часть 4. Part 2 (LiveShow) (with russian subs) Visited: 86
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    Перевод: Tom's Dark Angel; Субтитры: Ceres; Для сайта www.tokiohotel.ru
    Transliterace:

    " Visited: 86 Duration: 00:12:58 Perevod: Tom's Dark Angel; Subtitry: Ceres; Dlja sajjta www.tokiohotel.ru"

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    30.1.2012, 12:14
    Play in Sonic The Hedgehog CD Good Ending Run part 2 (Paltmr Visited: 50
    Duration: 00:04:29
    Прохождение игры от нашей студии. P.S. Прохождение полное со сбором всех камней времени.
    Transliterace:

    " Visited: 50 Duration: 00:04:29 Prokhozhdenie igry ot nashejj studii. P.S. Prokhozhdenie polnoe so sborom vsekh kamnejj vremeni."

    Strana: 1/ 72 Celkem nalezeno 1000 záznamů.

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  • Google and Microsoft Battle for Market Cap Supremacy

    18.10.2014, 17:42
    Google and Microsoft Battle for Market Cap Supremacy Google and Microsoft Battle for Market Cap Supremacy
    Author: Wochit Tech
    Published: 2014-10-18 17:42:21
    Visited: 1234
    Duration: 00:00:47
    Google and Microsoft are currently locked in a dogfight to be the second-most valuable technology company in the world. Following Google’s less-than-awesome earnings report, combined with a pre-market rise from Microsoft, the two tech giants are neck-and-neck for market cap supremacy.Apple and Exxon Mobil will still be worth more than the dueling technology giants. The four firms have a combined market cap of more than $1.5 trillion.

    Two Large-Cap Funds Earn Medalist Ratings

    8.9.2014, 14:14
    Two Large-Cap Funds Earn Medalist Ratings Two Large-Cap Funds Earn Medalist Ratings
    Author: Morningstar.com
    Published: 2014-9-8 14:14:19
    Visited: 229
    Duration: 00:09:52
    The low-cost Vanguard Large Cap Value Index makes Gold, and TIAA-CREF Large-Cap Value earns a Bronze for outperformance. Meanwhile, a manager change knocks Calamos Market Neutral Income down a notch.

    Small-Cap Stocks Too Pricey For Some Advisers

    16.9.2014, 13:31
    Small-Cap Stocks Too Pricey For Some Advisers Small-Cap Stocks Too Pricey For Some Advisers
    Author: WSJLive
    Published: 2014-9-16 13:31:30
    Visited: 136
    Duration: 00:02:46
    Multiples on large-cap socks make them more attractive, advisers say; Small-cap value shares remain popular among some advisers

    Facebook Market Cap Tops $200 Billion

    4.9.2014, 14:04
    Facebook Market Cap Tops $200 Billion Facebook Market Cap Tops $200 Billion
    Author: Wochit Tech
    Published: 2014-9-4 14:04:32
    Visited: 215
    Duration: 00:00:46
    Facebook is now part of the elite $200 billion club. Facebook's stock opened at $77 a share on Wednesday, pushing the company's market cap above $200 billion for the first time. That's roughly double what Facebook's market cap was when it went public in May of 2012. To put that in context: Facebook's market cap is now higher than IBM's $192 billion, Amazon's $158 billion and Pfizer's $186 billion.

    Xbox One Cheaper Than PS4 and Destiny Light Level Cap Reached

    28.9.2014, 13:05
    Xbox One Cheaper Than PS4 and Destiny Light Level Cap Reached Xbox One Cheaper Than PS4 and Destiny Light Level Cap Reached
    Author: Gamespot
    Published: 2014-9-28 13:05:34
    Visited: 805
    Duration: 00:02:40
    Destiny’s max level cap has been hit, it’s now cheaper to buy the Xbox One than the PS4 in the UK, and Blizzard cancels its Titan MMO after 7 years!

    Stocks Rebounded from Deep Drop on Small-Caps Gains

    2.10.2014, 21:14
    Stocks Rebounded from Deep Drop on Small-Caps Gains Stocks Rebounded from Deep Drop on Small-Caps Gains
    Author: The Street
    Published: 2014-10-2 21:14:41
    Visited: 250
    Duration: 00:01:33
    Despite making big moves to the downside during the session, stocks rebounded to close flat on Thursday. Equities edged higher in late afternoon trading as small caps rose higher after this week's sharp losses.

    Strana: 1/ 7436 Celkem nalezeno 104099 záznamů.

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    HWLS - 004 (feat. Noah Breakfast)

    24.10.2014, 20:06

    HWLS - 004 (feat. Noah Breakfast) Majestic Casual - Experience music in a new way. » Facebook: http://facebook.com/majesticcasual » Soundcloud: http://soundcloud.com/majesticcasual » Twitter: http://twitter.com/majesticcasual HWLS debut EP is available as name your price download on Bandcamp now!! :) Vinyl shipping on October 31st, 2014 via Future Classic on October 31st. ✖ Download HWLS EP http://hwls.bandcamp.com/releases ✖ Follow HWLS https://facebook.com/hwlsmusic https://soundcloud.com/hwls https://twitter.com/hwlsmusic ✖ Picture © Hana Haley http://hanahaley.com/ From: Majestic Casual Views: 53382 1681 ratings Time: 03:43 More in Music
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    Lights - Up We Go (Knight One Remix)

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    Ukrajinci hromadí jednotky, Rusko poskytuje dodávky odboji, balistické rakety jsou používány Kyjevem, vůdci Novoruska varují před okamžitým vypuknutím nepřátelských akcí, Porošenko potřebuje válku, aby přežil politicky. Vypadá to špatně.
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    Při tlumočení rozkazu prezidenta Richarda Nixona „masivně“ bombardovat Kambodžu v r. 1969 Henry Kissinger řekl: „Vše co létá na vše, co se hýbe.“ Jak Barack Obama zažehává svoji sedmou válku proti muslimskému světu od okamžiku, kdy mu byla udělena Nobelova cena míru, organizovaná hysterie a lži činí člověka téměř nostalgickým ve stesku po vražedné upřímnosti Kissingera.
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    Veškeré pokrokové lidstvo, jak nás označují, naprosto přirozeně přijalo homosexuály a jejich subkulturu, jejich právo uzavírat manželství, adoptovat děti a obhajovat svou sexuální orientaci ve školách a mateřských školkách. Snaží se nám dokázat, že je to všechno přirozený běh věcí. Lžou nám.
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